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- Gay Activism and Iran: Do Western Activists Do More Harm Than Good? (Link to article by Scott Long)
- Emigrant: The Other White Meat?
- Obama Loves Queers! (Except Not)
- Hot (the bad kind) in the Mission
- HuffPost Gay Voices: Liberian Anti-Gay Group Issues Hit List, Governments Do Nothing
- Exotic, Fresh, and Fruity: Seen at the Asian Market
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- More boy love/lust graffiti in SF
- “I WHAT Cock?” – Construction Sign Self-Expression
- Attempted Gay (Fake) Weddings: Valentine’s Day news from China
- Uriner no Ruiner – Recyle What?
- Glory Hole Sports! Really.
- Inking the Bear – words and images
- San Francisco Leather Marshal elected at new SF Eagle!
- What? All Jobsites Should be…
- Tiny Town Queen Patty McGroin is Empress of San Francisco!
- Why the Pope REALLY resigned…really!
- Phabulous Phallic Cactus…really.
- What to Do When Your Car Conks Out…
- Pig! (you are what you eat)
Tag Archives: Video
June 1 – 30, 2013
San Francisco, CA
CALL FOR ART
Deadline: January 15, 2013
Scholars have long maintained that each era has a unique spirit, a nature or climate that sets it apart from all other epochs. In German, such a spirit is known as “Zeitgeist,” from the German words “Zeit,” meaning “time,” and “Geist,” meaning “spirit” or “ghost.” Some writers and artists assert that the true zeitgeist of an era cannot be known until it is over, and several have declared that only artists or philosophers can adequately explain it. While we are not setting out to define a Queer Zeitgeist, the exhibition will expose and comment on manifestations of our cultural moment.
We are looking for artistic expressions that reflect or critique the intellectual, ethical and cultural climate of our queer times.
We hope to present trends in queer arts such as: queer craft, traditional as well as experimental works of painting, drawing, and sculpture, work that foregrounds emotional content and/or performance over formal aesthetics, new ways of representing the erotic, the body, gender and identity, reflections on the queer archive, ideas of domesticity, new ways of thinking about public and private space, queer time, remixed and repurposed work including collage and assemblage, eco/environmental work, the return to analog, all things digital, networked art, manifestations of social practice, relational work, collaborative work, activist art, interventions, propaganda, new approaches to film and video, audio art. International artists that offer a global perspective on queer art making are strongly encouraged to apply.
All media and artistic practices will be considered.
As part of our exhibition we are creating a one-day art market. If you have an idea, product, craft or performative engagement that you’d like to sell/exchange in our market please describe your product and/or exchange system. Please make it clear in your proposal that you want to be in the Zeitgeist Market.
HOW TO SUBMIT YOUR Work
DEADLINE: January 15, 2013
Please send the following to: Zeitgeist@queerculturalcenter.org
1. Please send visual documentation of previous work or work in progress. You may submit 2 to 5 jpegs, video links to YouTube or Vimeo or web links to images or projects. Please carefully label your images beginning with your last name and image number (example: Lastname_Image1.jpg).
2. Please include a Work Sample list describing each sample. (Title, Date, Medium)
2. If you are submitting a proposal for an installation please submit a detailed description and plan for your project including rough dimensions and any special hardware or rigging requirements.
3. For all other non-traditional media, please submit a proposal no longer that 2 pages with an appropriate work sample that will help the curators understand your idea. Please feel free to contact the exhibition coordinator if you are uncertain about what to submit. Zeitgeist@queerculturalcenter.org
4. A brief resume
5. A brief statement explaining how your work addresses the exhibition’s theme. How does your work reflect or critique the intellectual, ethical and cultural climate of our queer times.
Please send your submission via email to Zeitgeist@queerculturalcenter .org
Our Mailing Address is:
Queer Cultural Center (Qcc)
c/o African American Art and Culture Complex
762 Fulton Street
San Francisco, CA 94102
Note: Arrangements and expenses for shipping/delivery/retrieval are the responsibility of the artist. All non-installation must arrive/be delivered “ready to hang.” Artworks are insured by the gallery from the time they enter the gallery until they leave.
Friend of this site H.D. Motyl gives us his Nudes Descending a Staircase
Motyl pays homage to, as he is inspired by and deconstructs, the seminal Marcel Duchamp painting, Nude Descending a Staircase #2. Using state-of-the-art video technology, he creates his own Nudes Descending a Staircase #2. This is the first of a series of three Nudes Descending videos/installations.
A Pox on All Gurus! This video of a live Frank Zappa show from Sweden in 1973 is not particularly gay, but resonant in a lot of different ways. This Mother (of Invention) stares down The Mystery Man and tells it like it is. Whether it is snake-oil or salvation, spiritual hucksters are as American as…well, nevermind! “Who you jivin’ with that Cosmik Debris? Look here brother, don’t you waste your time on me!” Take home message: think for your blinking self.
These two are just too cute. Barely more than kids, as soldiers usually are, they are caught in a complicated history, their own personal stories intertwined with that of their country at war. Vets, and children of vets, understand how one can despise war and still honor warriors. Many of us still carry the physical and emotional effects of conflicts long past. “It’s complicated” – as they say on Facebook. War is hell, but it is also boredom. In these media days, that’s easily taken care of with a camera and a YouTube account. The Internet is awash with interesting videos made by soldiers with time on their hands. These two mess around to Soulja Boy’s Donk. For a great Lady Gaga Telephone re-do, click here. For an interesting musical political commentary, based on a lyrical re-working of the Beach Boys’ classic Kokomo, click here.
It is the middle of the SF LGBT Film Festival, high holy days are underway in the City by the Bay, Pride is coming, and outside the festival’s host venues, gay film buffs are rubbing their bleary eyes after marathon sessions in the dark. The cinematic apparatus, not that other dark! There is something for everyone at this annual festival, now in its 35th year. The shorts programs are some of the best, and for those with short attention spans, are just the ticket. One film is not doing it for you? Wait 5 minutes. The next one could be all that.
“All that glitters is indeed gold in this wonderful collection of shorts featuring several gems from our very own Bay Area filmmakers… Take a look at disgusting alien bodies and eavesdrop on the deaf relay system. Follow a camera off a bridge in a memorial for lives lost. A dispute on the high seas can only be settled by a dance off (of course), and we’ll see just how campy an AIDS camp can be. Rounding out the program is a silent comedy set to Tchaikovsky and starring Peggy the Peg-leg Ballerina.” via festival director Jennifer Morris
“Glitter Emergency” shows at the Victoria Theatre, 9:30 pm on Tuesday, June 21st, 2011. The Victoria is located at 2961 16th Street in the Mission district. Built in 1908 as a Vaudeville House, it is the oldest operating theatre in San Francisco.
But does it? Well-known Leatherman and friend of this site Peter Fiske has made an “It Gets Better” video and posted it on YouTube. We are, of course, re-posting. Kudos, Peter! It is fantastic. Of course. Messages of future promise are great, and can be just the thing to turn despair into hope. But. But. But. The “It Gets Better” video pep talks, started by columnist Dan Savage last year in an effort to curb high rates of suicide among queer youth, have really taken off. Cool. More on them here. Great campaign, but…it is not enough. Not nearly.
By all means, keep these positive messages coming. But. But. But. There are a few problems here. First off, it does not always get better – and we know that. If it always got better, dead friend of this site and Frameline co-founder Mark Finch would not have jumped off the Golden Gate Bridge. A popular, successful adult gay man kills himself. Or: youthful co-conspirator WRG, handsome, smart, set to inherit two fortunes, dead in a hotel room in Rio with a spike in his arm, the body stripped of valuables. They had to identify him by dental records. Just two examples. It did not get better for either of them, and they were pretty well set to overcome the past.
But. But. But. Another problem: The most vulnerable queer kids may be those least likely to be able to respond to these messages. Consider two scenarios:
One: You are 17, a junior in high school, with loving, educated PFLAG parents, a nice group of theatre friends, early acceptance to UC, and a problem with the school bully who taunts you with calls of “Faggot!” and elbows you in the hallways to the amusement of his toadies. It makes your stomach churn.
Two: You are 17, living on the periphery of San Francisco’s Castro district. You left Idaho and your violent Christian Identity family at 13 when your mother caught you with another boy. She broke a bottle over your head as you fled the house. See the scar? Arriving in SF, you met guys who turned you on to meth and fucked you raw. Already shell-shocked from childhood, you seroconverted at 14, have been on the streets for four years, and look really rough. Half-crazy with rage and despair, you kick trash cans and shout in frustration, sometimes sit on the curb sobbing. Everyone avoids you.
These are two pretty extreme, but true, examples. “It Gets Better” is a good message, but it is not enough. The kids need more than words. Even the UC-bound good gay kid needs more than words. And seriously damaged youth need a lot more. They also need the tools to survive a world which will continue at times to be hostile. Food. Shelter. Protection. Health care, including mental health and substance abuse help. Access to education, job-training, connections and good adult mentorship. Spiritual support, including services for survivors of religious abuse. They do not need to be encouraged in magical thinking: “Oh…if I can only get to San Francisco! It’s like Oz! Everything will be fabulous!” Yes, sometimes it gets better. But: it does not always get better, and it does not automatically get better. If we actually want to see the kids flourish, we need to open our eyes to the full scope of the horror under which some queer kids come up – and add real resources that are equal to our encouraging words. We need to get real.
“It was scary so forgive the camera shaking.” Friend of this site Anna Kirey, who was there and shot the video posted here, reports that 5 people were taken to the hospital with injuries sustained during attacks by fascists and ultra-nationalists during the 1st ever pride celebration in Split, Croatia on June 11, 2011. Attackers chanted “Ubij pederima!” and ”Ubij srbina!” – “Kill the Fags!” and “Kill the Serbs!” According to first hand reports, many police stood back, laughing, and the Mayor of Split, wearing Croat fascist black, watched the action from a nearby outdoor cafe.
Kontra reports from Split: “Public gathering ended in violence. Rute of the march was not secured. Attackers were allowed to throw explosive objects, thorches, big rocks, ashtrays and other objects during the whole time of the march and on Riva where programe was supposed to be held. Facists were allowed to hold hands in facist salute and shout «Kill faggots» and «You must die» almost on the entire length of the rute. Before exit from Marmontova street to Riva it was allowed for big number of violent attackers to completely narrow down the passage for the march. They were also throwing explosives and other objects and participants of the march had to go back twice and then finally go through narrow passage. During all of this police officers were telling to participants to go through the passage, although they were constantly hit by explosives, rocks and other objects.”
Lepa Mladjenovic provides political analysis of the situation: “Croatia and Serbia are states after the long wars, and militaristic & fundamentalist religious politics vastly present .. on top of this there is a special role of the football fans in making of soldiers in the Balkan wars, they are now as well ones who are ultra nationalists, the same militarism continues with them precisely, supported with political nationalist parties and church!! thats all to understand.”
More video: From Balkan artist Rakijamala, click here and for uploads from Queer Zagreb, click here. Interested in the situation around the world? Check out ILGA: The International Lesbian and Gay Association. Kind of like the Queer United Nations.
The World Champion San Francisco Giants have made an “It Gets Better” video. For more videos and more information on the project, founded by columnist Dan Savage to give gay kids a vision of life beyond high school, visit the website here. For more Giant charitable work, click here. If you’ve ever wondered about Brian Wilson’s edgy style, here. For sadly broken Buster, here, and for Timmy the Kid, here.
We have made it this far. What next? How can we keep what we have created and protect it for the generations coming up? The theme of this year’s National Queer Arts Festival is A Sustainable Queer Planet. Presented by The Queer Cultural Center, the festival includes 22 venues and runs for a month. An array of performers, poets, writers, visual artists, musicians, comedians and dancers work through diverse notions of sustainability. Organizations, collaborations, friendships, political movements, publications, networks, connectivity, intentional communities, Queer families, and various ecological and economic interventions are all well represented in this month-long festival. High Holy Homo Days are upon us!
Watch this space for notices and commentaries on select individual programs. Philip Huang, pictured above, performs in Formerly Known As: Performances by Male and Trans Sex Workers. This two-day program, hosted by Kirk Read, takes place at The Center for Sex and Culture, and features a different line-up each night. It includes writers, performance artists, comedians and a slideshow of visual work. For a complete listing of festival offerings, visit The Queer Cultural Center’s site here.