Originally from California, 24-year old Justin Sears lives in NYC now. He does fairly large-scale realistic illustrative pieces on wood. No color splash, here, and no wall-to-wall paint. The narrow color range is all in the foreground, while the wood supports provide all the negative space. Subject matter is men, myth, masculinity with a distinctly surreal edge. His big portraits, like this one of a hot ash dude, are fairly strait-forward, while his historical and re-workings of classic themes bring most of the twists. He describes his work as a “masculine mix of industrialized pop art on organic surfaces.” See more at his website. Oh, he designs leather clothing, too. Cool!
Category Archives: DIY and Maker Culture
Hey, Daddy! Ink to the People does crowdsourced fundraising with produced-to-order t-shirts. Design a shirt, select a sales target and date, and promote. The more you do, the higher the percentage that goes to the cause. Cool.
This one honors the life of “Daddy” Alan Selby, aka Mr. S. and “The Mayor of Folsom Street” An exhibit based on his life will be held in the Summer of 2014 at The Center for Sex and Culture in San Francisco. A book based on auto/biographical material will be published in December, 2014. In the spring of 2015, the archive of historical materials from his life and work will travel to the Leather Archives and Museum in Chicago, where it will be permanently housed. This fundraising souvenir t-shirt is supporting The Mayor of Folsom Street project. These shirts cost $20 each, come in assorted sizes, are made in the U.S.A. Order here.
Center for Sex and Culture’s Exhibition Catalog of Safer Sex Posters
The Center for Sex and Culture, located in San Francisco, is publishing an art exhibition catalog on our safer sex poster collection in conjunction with an exhibition displaying these posters at our gallery. The 2-month exhibition opens on November 8, 2013.
Buzz Bense, sex activist and graphic designer, donated over 150 unique posters to CSC last year. Bense has collected and produced safer-sex posters aimed at members of the LGBTQ community since the mid-1980s. Circulated at a time when the community was particularly hard-hit by the HIV/AIDS epidemic, these posters comprise a striking aesthetic collection of graphically innovative design that explicitly visualizes homosexuality, diverse LGBTQ communities and safer-sex activism.
Because of the cultural and historical significance of the posters, we are inspired to share these images and their story with people in the Bay Area and beyond. It is easy to forget details of recent history, especially when related to sexual history because it is less likely to be preserved. This project aims to preserve and share some of what might easily be lost. The book will contain over 20 color reproductions of posters, an introduction by CSC’s executive director, Dr. Carol Queen, and an essay by the New York based art historian and curator, Alex Fialho, and an interview between Buzz and Alex about the history of the collection. Alex has spent time in San Francisco and New York researching and interviewing the people who created these posters as activists, artists, community organizers, members of health organizations and independent graphics designers.
The collection consists of posters, primarily from San Francisco, but also encompasses other cities throughout the United States. It also includes international representations from Australia, Germany, Denmark, and Canada. This historical archive presents the visual means through which LGBTQ people passed on life saving information about safer-sex practices during the height of a health epidemic that continues to affect us today.
We are confident the exhibition and book will function as both an art historical survey of the importance of this collection of aesthetically beautiful and functionally informative posters as well as an educational endeavor engaging the LGBTQ community and beyond.
These posters do more than chart the tragedy of an epidemic, of an outsider community reeling from grief, loss, and the decimation of a blooming culture of sexual liberation. The history of these posters is a story of a fight against stigma, hatred and ignorance; of a community stepping up to take care of its own; of finding a way to extinguish fear and build pride and self-esteem; and of devoted efforts of committed activists to communicate a path to health and survival. -Buzz Bense
Please help FUND this worthy project – the inaugural book of CSC, and one we hope will be the first of many. Kickstarter campaign HERE.
Decorative and informative, this fine ursine railman invited us up into his hot greasy steam engine for a tour. Old #45 on the Skunk Train route. Please note that showing face on Gay Highwaymen doesn’t mean these guys are gay. It means we are. Ok? Thanks, Man!
Old number 15 looking at old number 45. And vice-versa. Mystics and quantum mechanics Noh: the eye with which I view God (or the multiverses) is the same eye with which the Universe (or the gods) view me. Whistle starts the races. All part of the Kinetic Carnivale. Willis, in Mendocino County, California.
U.S.S. Yellow Submarine. Handcar races. All human-powered rail transport. Some are funky. Others are fast.
Poplock Holmes. Chap-hopper and Steampunk entertainer extrordinaire.
The Train Singer…